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00226cam a2200445 i 4500 |
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947816014 |
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t |
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170913t20172017be a b 001 0 eng d |
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9782503567242 (hardback) |
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250356724X (hardback) |
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BTCTA|erda|cBTCTA|dYDXCP|dERASA|dQGJ|dNLE|dOCLCO|dAUXAM|dTXA|dCAM|dOCLCF|dUAB|dCaONFJC|dUtOrBLW|dT9K |
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T9KA |
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4 |
N7850|b.G73 2017 |
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RCAC/N7850|b.G73 2017 |
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Graphic signs of identity, faith, and power in late antiquity and the early Middle Ages /|cedited by Ildar Garipzanov, Caroline Goodson, and Henry Maguire. |
| 264 |
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Turnhout, Belgium :|bBrepols,|c2017. |
| 264 |
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4 |
|c©2017 |
| 300 |
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xviii, 392 pages :|billustrations ;|c24 cm. |
| 336 |
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text|2rdacontent |
| 337 |
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unmediated|2rdamedia |
| 338 |
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volume|2rdacarrier |
| 490 |
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Cursor mundi ;|vvolume 27 |
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Includes bibliographical references (pages 378-381) and index. |
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TABLE OF CONTENTS: |
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List of Illustrations, p.vii -- |tIntroduction: Late Antique and Early Medieval Graphic Signs ofIdentity, Faith, and Power ILDAR GARIPZANOV, p.1 -- |gPART I.|tGRAPHIC SIGNS IN MANUSERIPT CULTURE -- |tEarliest Christian Graphic Symbols: Examples and References from the Second/Third Centuries LARRYW. HURTADO, p.25 -- |tMachina sacra: Optatian and the Lettered Art of the Christogram MICHAEL SQYIRE and CHRISTOPHER WHITTON, p.45 -- |tNotitia dignitatum BEAT BRENK, p.109 -- |tEarly Medieval Display Seripts and the Problems of How We See Them DAVID GANZ, p.125 -- |gPART II.|tGRAPHIC SIGNS IN PUBLIC SPACES AND EVERYDAY MATERIAL CULTURE -- |tBlessing or Security? Understanding the Christian Symbols of a Monumental Aqueduet Bridge in the Hinterland of Late Antique Constantinople JAMES CROW, p.147 -- |tCross Graffiti as Physieal Means to Christianize the Classical City: An Exploration of their Funetion, Meaning, Topographieal, and Socio-Historieal Contexts INEJACOBS, p.175 -- |tHow Did Early Byzantine Ornarnent Work? HENRY MAGUIRE, p.223 -- |tChristograms on North African Lamps: Considering Context CAROLINE GOODSON, p.255 |
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|gPART III.|tGRAPHIC SIGNS ON MATERIAL OBJECTS OF STATUS AND AUTHORITY -- |tBetween Amuletie Orrıament and Sign of Authority: Christian Symbols on Mediterranean Dress Aeeessories of the Fourth to Sixth Centuries CHRISTOPH EGER, p.281 -- |tMonograms as Graphie Signs of Authority on Early Medieval Coins (from the Mid-Fifth to Seventh Centuries) ILDAR GARIPZANOV, p.325 -- |tMemory and Meaning: Graphie Sign and Abstract Symbol in Byzantine S ilk Weaving (from the Sixth to Tenrh/Elevench Cerıturies) ANNA MUTHESIUS, p.351 -- Index, p.383 |
| 650 |
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Christian art and symbolism|yMedieval, 500-1500.|0http://id.loc.gov/authorities/subjects/sh85025013 |
| 650 |
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Symbolism|xHistory|yTo 1500. |
| 650 |
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Graphic arts|xHistory|yTo 1500. |
| 700 |
1 |
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Garipzanov, Ildar H.,|eeditor.|0http://id.loc.gov/authorities/names/n2008015183 |
| 700 |
1 |
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Goodson, Caroline,|eeditor.|0http://id.loc.gov/authorities/names/n2009069042 |
| 700 |
1 |
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Maguire, Henry,|d1943-|eeditor.|0http://id.loc.gov/authorities/names/n81025483 |
| 830 |
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Cursor mundi (Turnhout, Belgium) ;|vv. 27.|0http://id.loc.gov/authorities/names/no2008077110 |
| 856 |
4 |
2 |
|uhttps://media.library.ku.edu.tr/public/BookCoverImages/graphic_signs.jpg|zcover image |
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BS+COVER |
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230706 |
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|laname |
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